Liquid Delay – Noösphere EP

April 14, 2013 • Axaminer Netlabel

I found this little piece on Bandcamp in yet another attempt to broaden my knowledge of electronic music with a search for dub techno. (Yeah, I haven't branched out too far yet.) And, as I've said a million times, it's amazing what you find tucked away in those hidden corners, even with free releases. Noösphere is a solid little EP throughout, if a bit derivative, though that's hardly an issue.

It would be a little unfair to call Liquid Delay another Burial or Echospace knockoff, but unfortunately that's more or less what this EP amounts to: syncopated beats that super deep and bassy, glitchy and atmospheric echoes of synths and samples. Tones arpeggiate up and down, tumbling through some rhythmically complex and satisfying percussion, backed by pulsing industrial noises. No vocals, no gimmicks, just pure and unadulterated dub techno. (Well, there's also a not-insignificant amount of straight ambient as well, but that might just come with the dub territory. I'm not sure.)

If that description makes Noösphere sound a bit generic, know that it doesn't make it any less enjoyable. It's an incredibly well-made EP and not a moment is wasted over its half-hour runtime. The tracks have a good amount of diversity and each evolve individually over time, so it's hard to get bored. And compared to a lot of similar albums, this one feels incredibly laid-back and dreamy, which is kind of neat in its own way.

Of course, being free, I hardly need give reason to recommend it, do I?

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Audiokonstrukte – Sending Echoes

No, the blog isn't dead. I've just been very busy (and often unmotivated) lately. Hopefully things are turning around.

November 19, 2012 • Cold Tear Records

I grabbed a couple albums from Cold Tear's Bandcamp page in an attempt to expand my electronic music palette—something I've been attempting to do for some time now. Though my target was more ambient minimalistic soundscapes à la Burial or something, I still enjoyed what I got.

Sending Echoes is a bit more "normal" than Burial, anyway, as normal as minimal techno gets: sweeping background synths, warm fuzzy background noises, lighter beats, and echoing pads holding it all in place. It's a nice aesthetic, at least on parts; while listening on headphones might not be the ideal environment there are certainly some neat samples and sounds going on, especially on tracks like "Continuum" with the samples and saxophone (I'm pretty sure it's not actually saxophone, but I don't know what it actually is), or the driving groove of "Lab 31 Am Wesser". It's great background music, for sure, and there are moments where the music really does grab my attention with an interesting twist or sound.

The album does have an issue with quality control and pacing, though; since the tracks were obviously thrown together without regard for flow (I mean, come on, they're in alphabetical order!) it's a bit of a weird listen if taken all at once. The first couple of tracks are some of the most uninteresting, giving the impression that the whole thing isn't worth hearing (which almost put me off completely); only in the second quarter of the album or so do things really start to pick up. With an hour's run time and thirteen tracks to choose from, at least a couple could easily have been cut.

Regardless, it's not a bad album by any means. It's probably not something I'd recommend to the uninitiated, as it has its problems and can be difficult to get into, but for what it is, it's pretty nice. Nothing spectacular, and I probably won't be spinning it much after today, but it was worth the couple of listens.

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Echospace – Silent World

Yes, I'm back! I got pretty lazy last week.

June 17, 2012 • echospace [detroit]

For me it started with Liumin, an introduction to a style I'd barely known and that was the opposite of what I thought of techno as—hazy, dense, droning music, the sort of thing that was already right up my alley and I had been too presupposing to actually hear it. Liumin—and Silent World, which is what this review is supposed to be about—are more contemplative music, the kind of stuff I love, the kind that lets you sit and listen and think—maybe not about anything in particular, but think anyway; maybe imagine the urban scenes evoked by the slow crackling rain on the sidewalk or the lights diffused through heavy fog, or about what you're missing by sitting inside with the lights on and pretending to care about something you don't want to do.

Anyway, if you've heard Liumin, there aren't any surprises on Silent World, as the sound is pretty consistent: deep, subterranean techno beats combined with an incredibly thick blanket of ambience and droning textures, working together in perfect sync to create an atmosphere that's both isolating and a bit claustrophobic. The music does seem awfully repetitive on the surface (even moreso for techno amateurs like me) but there's tons of subtlety going on that might be hard to pick up on—stretched out samples, micro-changes in the way the synths and effects are handled, and one of my favorite bits: the drowning mariachi band in "BCN Dub" (also making a reappearance from Liumin). It's all too easy to get lost in the mix and the swirling drones and thudding beat and simply not think about anything else for a while. (Two and a half hours, to be precise.)

Speaking of the runtime, that is one thing about Silent World that can be a bit intimidating—really, three hours of the same repetitive old techno beat? especially the monster seventy-minute title track? Fortunately it's not as repetitive as it may seem; each track has its own traits that set it apart from the rest, like "Ghost Theory"'s skittery old-school sound or "Orbiting" and "Theme from Silent World" both being almost pure ambient. True, if you skip around each track you won't miss much, but each one still has something interesting to offer.

I still have yet to find any evidence that a film called Silent World with this as it soundtrack actually exists, but regardless this album stands up excellently on its own (as I expected). Unfortunately, for me it won't ever stand up to its predecessor—as I heard Liumin first, Silent World doesn't have quite the same magic and excitement, but they're two very similar albums and are equally enjoyable.

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