March 10, 2012 • self-released
I've been skimping out on my modern classical lately, and I'm kicking myself for it; there's so much more new stuff out there than Arvo Pärt and whatnot just waiting for me to find it. I was recommended this album some time ago and only just now finally got around to finally hearing it. And, well, it's hitting that sweet spot I have for utterly heartbreaking music in just the right way.
I could describe it as the sort of minimalism that you might expect out of some super-dramatic artsy film, but that'd be doing Benzinho a huge disservice. It doesn't need visuals to express itself; it delivers its own tone perfectly—a devastatingly bleak mood with just the tiniest hopeful silver lining to it. The arrangements are very simple, mostly solo piano with the occasional droning strings and chromatic percussion (I believe a good deal of the album is electronically produced).
It's one of those albums that is incredibly difficult to write about, like a book or movie people say that you have to experience it for yourself to get the real gist of it. It feels cheap to write about it this way, but I feel like that applies here. I won't say it's an album for everyone; a lot of people are probably going to find it repetitive or lacking or dull or maybe even a bit sloppy at times. I wouldn't say they'd be wrong, but I would say they're missing the point. Roses of Time I is all about its own beauty, its own simplicity, and just writing a damn good piece of music. And it does that well.
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