Thursday, September 29, 2011

Corrupted – Garten der Unbewusstheit

August 20, 2011 • Nostalgia Blackrain

Corrupted has had one hell of a run over their lifetime. Until recently, among countless splits and EPs, they've put out four absolutely excellent albums, something most bands can never claim. Their last effort, 2005's El mundo frio, has been one of my all-time favorite albums ever since I first heard it, and I thought they'd never be able to top it. In fact, I never really thought about them releasing an album again; it's been six years, and the last two releases (2007's twin singles "An Island Insane" and "Vasana") were pretty disappointing compared to their normal output. But then, out of nowhere, they pop back up again, quietly pushing another masterpiece out.

Now I'm not going to say that they did top the last one with Garten der Unbewusstheit, but I know they are coming pretty close. The opening track is actually very reminiscent of El mundo frio: A very long, slow buildup, gradually morphing into very dense guitars and drums, and you don't even notice it changing until it drops back into being soft again (no harp this time, unfortunately)... it sounds a bit typical of their style, but the atmosphere created is very intense with such a sprawling sound. It helps that the production is a bit simpler this time: there's no unusual instrumentation, a lot less dissonance and noise, maybe even fewer layers of guitar. Often that helps add to the feeling of heaviness, which works really well in "Gekkou no Daichi", which sounds a bit like Paso inferior, oddly enough.

Speaking of which, "Gekkou no Daichi" might be one of the best tracks I've ever heard from Corrupted. It's got a nice simple buildup, but in the middle of the song, by the time it's in full out slamming-bricks mode, it actually has a melody in it. I don't recall if they've actually done anything really melodic before, especially not in a major key, so it kind of came out of nowhere, but it is really welcome, adding a new layer of grandiosity to the piece and also giving it a sense of finality. Hopefully this just indicates finality of the album, and not the band, but it would make a great track to bow out on.

On my first listen I thought that Garten der Unbewusstheit was basically more of the same stuff we've been hearing from the band, but a closer listen proved otherwise. They really are only getting better. No, I don't think this quite tops either El mundo frio or Se hace por los suenos asesinos, but if someone disagrees I can completely understand why. Garten der Unbewusstheit may have been an unexpected release, but it is absolutely welcome.

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